So I had to go ahead and finish the etching and hope that I could rescue the plate at the inking stage.
As the background was darker than I had planned and some of the detail was lost, I used a burnisher to work into the aquatint to bring back some of the highlights.
I tried inking the plate up in several different shades of blue/green so that I had a range of prints to work on. I wiped the plate thoroughly to try and maximise the tonal quality that was there.
I then added spot colour to the prints using watercolour washes. I am still not that happy with the finished prints. When I have more time I would like to redo the whole plate.
No comments:
Post a Comment