What struck me most was the intensity of the ink, the beautiful texture of the handmade rag paper and the impression made on the back of each page by the relief print. The use of spot red was very noticeable throughout the books - a device used in religious books from previous centuries. The binding of the books was also of great interest to me. Many were encased in limp vellum with ribbon ties- again another technique inspired by medieval bookbinders.
I also saw publications inspired by the Kelmscott Press. Arthur Gaskin, an artist and jewellery designer from Birmingham, illustrated 'Good King Wenceslas' for Cornish Bros. of New Street.