This close up shows the frenetic marks etched into the plate, as well as the areas of ink that were left on its surface. Of particular interest was a print by Paula Rego called 'Encampment', shown below. She used etching and aquatint techniques in this narrative scene.
I particularly like the strong contrasts achieved with this technique. The close up I photographed below shows the etched line combined with the tonal range of the aquatint.
Another print that caught my attention was by Stephen Conroy called 'Silence'. This was a drypoint print that again used strong contrasts to create a spectre like image of a young man. A dense network of marks have been made in areas of the plate - I suspect with a mezzotint rocker or a roulette tool.
I would like to experiment with these techniques to create images based on some of the panoramic photographs I have been taking.
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